Video Production

Cinema Line manners on a Super 35 body a small crew can own.

The second body that still looks like the FX30 on a wide.

Blackmagic color and 6K files in a handheld body.

RF-mount autofocus for rooms that already speak Canon.

Four cameras, a stream, and an ISO of every angle.

Eight inputs and SuperSource — a real broadcast in a lunchbox.

Turn any HDMI camera into a well-behaved webcam.

Put the cut, the title, and the soundboard under a thumb.

A real key light. Softbox it and stop using ceiling cans.

The key that still works when you add a 6x6.

A Bowens key that does not blow the first-studio budget.

A one-person A-cam that does not look handheld.

Threads, a handle, and a way to mount the monitor.

See it, record it, and stop trusting a 3-inch flip screen.

Two lavs, onboard backup, and a receiver that hits a camera or a phone.

A shotgun that can also be a USB mic when the day changes.

The camera-top shotgun working news kits still pack.

Tiny transmitters for rooms that will not wear a GO pack.