Live Sound & PA

The box rental companies keep buying.

Same K.2 brain, easier to throw in a sedan.

Delay, fill, and small rooms that still want QSC voicing.

The sub that makes a pair of K.2s into a system.

Yamaha FIR-X tuning in a box churches already own.

Honest JBL voicing at the first professional price.

The 15-inch PRX for rooms that want throw and chest.

The first EV that still looks like an EV on a résumé.

The analog desk that never needs a firmware update.

Same MG manners, smaller footprint.

The desk that put scenes and iPad mix in rooms that could not afford a venue.

Full X32 brain. Booth that actually fits.

Put the mixer on stage. Mix from the iPad.

Hybrid analog hands with a studio-grade USB-C dump.

If the stage has one mic, it is this one.

Snare, guitar cab, brass, talkback — one capsule.

When the SM58 needs more reach and more rejection.

The German answer to the SM58 — slightly smoother, equally durable.

A handheld that behaves on a loud, wet stage.

An SM58 with a legal, simple RF pack.

Digital wireless that manages itself.

True diversity and an e835 head, without a tour-price receiver.

The rack compressor that taught a generation of FOH engineers.

Ring out the room. Then leave it alone.

A DI you can leave in the rain at load-out.

The Jensen transformer people put on a grand piano.

Two ProDIs in one box for keys and DJ booths.

DriveCore power for passive tops and install pairs.

More current for subs and hung pairs.

A stand that lifts a K12.2 without a hernia.

The boom you should own a half-dozen of.

The cover that keeps a K.2 looking like it is still on the plot.