Studio Recording

The honest first interface that is still a real converter.

When two inputs stop being a studio.

Vintage preamp flavor without an Apollo tax.

Unison pres and UAD plugins while you track.

Drivers that do not become the session.

Console 4K flavor on a desktop, with MIDI.

Meters you can actually mix on, ESS conversion.

The white-cone truth serum.

HS voicing for rooms that cannot take an 8.

Image and output that embarrassed more expensive 5s.

Boundary EQ that actually understands a desk against a wall.

A U-ART tweeter without the A-series invoice.

If the mix works here, take the weekend off.

DSP alignment in a compact Neumann.

The broadcast dynamic that ate the internet — and still earns it.

A silent condenser with XLR and USB in one body.

The first condenser that still belongs in a locker.

AT2020 manners with a pad and a high-pass.

C414 family capsule manners without the four-pattern tax.

The modern Neumann that working vocal rooms actually own.

The coiled-cable standard of tracking rooms.

Isolation and comfort for four-hour vocal days.

Open-back air for late-night mix decisions.

The modern default closed-back for producers.

The +25 dB that makes an SM7B and a Scarlett get along.

Compressor, de-esser, enhancer — the radio-voice box.

ISA transformer gain for the one vocal that pays the rent.

Keys and Analog Lab that finish songs.

Clip launch and keys for Ableton-fluent rooms.

The Live instrument, not a controller that happens to work with Live.

The cheapest way to make your monitors tell the truth.

Get the SM7B off the desk and out of the keyboard's way.